Matt Damon had to double check he hadn’t hurt his co-star Hailee Steinfeld every time they filmed a fight scene in True Grit.
In one controversial scene, 14-year-old Hailee’s character Mattie is slapped by Matt’s character LaBeouf.
Hailee said: “I thought it was fun, and also funny. After every take, Matt would ask if I’m OK and that I wasn’t hurt.”
The actress added that working with Matt, Jeff Bridges and directors the Coen brothers was a good laugh.
She said of the directors: “They’re really big kids…They are amazing. You know when they like something – they just giggle.”
And Jeff revealed he and Hailee played Pass The Pigs in between takes.
“Her pig was Bo Bacon, and mine was the Pig Man,” he said.
Matt Damon and Emily Blunt are both taking over the covers of Men’s Health and Women’s Health together. The Adjustment Bureau co-stars not only talk about health with the magazines, but also talk chemistry!
Matt and Emily must have become very close on the set of their new film! They both joined each other on the cover of Men and Women’s Health March 2011 issues!
“I met Matt and he was lovely and very funny, and instantly, I thought, ‘Oh, we could be like teenage boys together,” she explains. “Just be weird and stupid and silly.’”
And what did Matt think about working with Emily?
“There are a lot of great actresses her age right now,” he says, “But Emily is just…unbelievable.”
And their chemistry sold director George Nolfi to casting Emily!
“It’s an ineffable thing, he said. “She had incredible chemistry with Matt,” he says.
Huge thanks to Nicky from JohnnyDeppOnline.net for the scans! Enjoy!
Jess from NKidman.com sent some awesome HQs from Matt on the premiere of The Adjustment Bureau in New York last monday. Enjoy!
Roberta from LeonardoDiCaprioFan.com has sent these lovely caps from The Departed. Enjoy!
The New York Premiere for The Adjustment Bureau was last night and here are some pictures!
Matt Damon and Emily Blunt learn that their fate may be in the hands of a mysterious organization in ‘The Adjustment Bureau,’ in theaters March 4, and we have a first look behind the scenes at what Emily calls a “brain-melting experience”!
“They’re kind of a timeless group of people who are essentially guardian angels,” says Matt of the title organization. “There’s a master plan written in a language that our brains couldn’t possibly comprehend. … If somebody’s kind of going off-plan a little bit, they give them a little adjustment.”
Based on a Philip K. Dick story, ‘The Adjustment Bureau’ casts Matt as David Norris, an ambitious politician on the brink of winning a seat in the U.S. Senate. When he meets beautiful ballet dancer Elise Sellas, he is instantly smitten — and the course of his future changes, prompting the Adjustment Bureau to intervene, no matter what the cost.
Universal has provided us with seven clips from Matt Damon’s upcoming romance/thriller The Adjustment Bureau. Written and directed by George Nolfi (writer of The Bourne Ultimatum), the film is based on a short story by Philip K. Dick entitled Adjustment Team and centers on the apparently forbidden relationship between politician David Norris (Damon) and Elise Sellas (Emily Blunt). As the story goes, the two are kept apart by a mysterious team of adjusters who claim it’s in everyone’s best interest if they go their separate ways. Hit the jump to watch the clips.
The Adjustment Bureau opens on March 4th. In addition to Damon and Blunt, the film also stars Terence Stamp, John Slattery (Mad Men), and Anthony Mackie (The Hurt Locker).
Video after the jump:
Matt Damon would “never sell” out a director.
The actor-and-screenwriter says once he has agreed to appear in a movie or has hired a filmmaker for the project he could never get rid of them, even if he didn’t think it was working out, because he’d already committed to the project.
He told Men’s Health magazine: “My movies being really good or watchable always depends on everybody being really good, not just me. I’m particularly sensitive about making sure we secure the best possible people in each role because I am not somebody who can overcome if we don’t.
“And then, for me, once I make that commitment, I never will sell the director out on that project. You cannot change horses midrace. Even if your horse is losing, you ride the horse as hard and as fast as you can. If there was a mistake made, it was made in your initial decision to work with that person.”
Matt – who is currently starring in thriller ‘The Adjustment Bureau’ alongside Emily Blunt – also revealed he and writing partner Ben Affleck never take offence when their ideas are criticised by the other person.
He said: “When one of us comes up with an absolutely f**king horrible idea, which happens all the time, the other person, without batting an eyelash, says ‘That’s a terrible idea.’ And neither of us has our feelings hurt, and we just kind of move on.”
Had you wanted to work with Joel and Ethan Coen for sometime?
Matt Damon: Yeah, forever. I first met Joel in 1994 when I did a cable TV movie [‘The Good Old Boys’] with his wife Fran [Frances McDormand] down in West Texas. So I had met Joel in West Texas 16 years ago and it took them that long to offer me a job! [laughs]. But I was dying to work with them and any actor you talk to would say the same thing. If you ask for a shortlist of directors, they would be right there.
Was it fun building your character, LaBoeuf?
MD: He’s a great character and it was a lot of fun. I worked with Tommy Lee Jones in 1994 when he directed ‘The Good Old Boys’, which Fran and I did with him and that’s when I first met Joel and Ethan. And Joel and Ethan subsequently worked with Tommy to incredible effect in ‘No Country for Old Men’ and Tommy gave a remarkable performance in that. And actually, I had Tommy as a frame of reference [for ‘True Grit’] because he’s from West Texas. And he’s also somebody who is really fun to listen to, he knows a lot about a lot, and there’s something of the English teacher in him – you can ask him an obscure question and he enjoys knowing what he knows [laughs]. And so we kind of riffed on that. It’s not exact but it’s a similar way of presentation. My character in ‘True Grit’ is supposed to be a windbag – it’s like he comes over as a man who knows everything but actually doesn’t know very much at all! Not that Tommy’s like that, but Tommy is a great storyteller. And that was where we started to build the guy.