Matt Damon would “never sell” out a director.
The actor-and-screenwriter says once he has agreed to appear in a movie or has hired a filmmaker for the project he could never get rid of them, even if he didn’t think it was working out, because he’d already committed to the project.
He told Men’s Health magazine: “My movies being really good or watchable always depends on everybody being really good, not just me. I’m particularly sensitive about making sure we secure the best possible people in each role because I am not somebody who can overcome if we don’t.
“And then, for me, once I make that commitment, I never will sell the director out on that project. You cannot change horses midrace. Even if your horse is losing, you ride the horse as hard and as fast as you can. If there was a mistake made, it was made in your initial decision to work with that person.”
Matt – who is currently starring in thriller ‘The Adjustment Bureau’ alongside Emily Blunt – also revealed he and writing partner Ben Affleck never take offence when their ideas are criticised by the other person.
He said: “When one of us comes up with an absolutely f**king horrible idea, which happens all the time, the other person, without batting an eyelash, says ‘That’s a terrible idea.’ And neither of us has our feelings hurt, and we just kind of move on.”
Had you wanted to work with Joel and Ethan Coen for sometime?
Matt Damon: Yeah, forever. I first met Joel in 1994 when I did a cable TV movie [‘The Good Old Boys’] with his wife Fran [Frances McDormand] down in West Texas. So I had met Joel in West Texas 16 years ago and it took them that long to offer me a job! [laughs]. But I was dying to work with them and any actor you talk to would say the same thing. If you ask for a shortlist of directors, they would be right there.
Was it fun building your character, LaBoeuf?
MD: He’s a great character and it was a lot of fun. I worked with Tommy Lee Jones in 1994 when he directed ‘The Good Old Boys’, which Fran and I did with him and that’s when I first met Joel and Ethan. And Joel and Ethan subsequently worked with Tommy to incredible effect in ‘No Country for Old Men’ and Tommy gave a remarkable performance in that. And actually, I had Tommy as a frame of reference [for ‘True Grit’] because he’s from West Texas. And he’s also somebody who is really fun to listen to, he knows a lot about a lot, and there’s something of the English teacher in him – you can ask him an obscure question and he enjoys knowing what he knows [laughs]. And so we kind of riffed on that. It’s not exact but it’s a similar way of presentation. My character in ‘True Grit’ is supposed to be a windbag – it’s like he comes over as a man who knows everything but actually doesn’t know very much at all! Not that Tommy’s like that, but Tommy is a great storyteller. And that was where we started to build the guy.
How does Matt Damon sustain his string of successes? With a lot of help from friends like new costar Emily Blunt. (And just maybe a little talent of his own.)
On a Wednesday morning, Matt Damon and his wife, Luciana, delivered their fourth child, a baby girl. The following Monday, he’s talking to me.
But not about birthday methods. He doesn’t consider his family to be interview fodder—would yours be? So we talk about something any farther can identify with: the urgent desire to perform well on the job.
And as we talk, he shows an unusual trait for a walking franchise: reflexive, impenetrable humility.
“It’s always hard to talk about yourself, but…” He stops. Redirects. “There are actors who are just movie stars, you know? They just are. You can’t take your eyes off them when they’re on the screen. I know what that thing is, and I see it in some of my friends, but that’s just not who I am. My movies being really good or watchable always depends on everybody being really good, not just me. I’m particularly sensitive about making sure we secure the best possible people in each role because I am not somebody who can overcome if we don’t.”
When director Kevin Smith revealed at Sundance that he is self-distributing his horror movie Red State, he also announced that Hit Somebody will be his final movie as a director. Earlier today, Kevin Smith announced that he plans to bring back actors Ben Affleck and Matt Damon for cameo appearances in Hit Somebody. Here’s what he had to say about the actors portraying Boston hockey players in his movie.
“They’re all coming back. It’s like The Muppet Movie. You’ve got your core cast, and then a zillion cameos. It’s going to sum everything up. We’ll have a team in Boston, and who do you think I’m going to call? Both of those dudes.”
He even said that he would extend an offer to Bruce Willis, who starred in his movie Cop Out, to cameo in Hit Somebody.
“I’m not even ruling out Bruce Willis at this point. I’d duck, but I’d put a stick in Willis’ hand.”
Hit Somebody, which is based on the song by Warren Zevon, will center on a hockey enforcer who aspires to be more well-rounded player.
Matt and Emily Blunt are on the cover of March editions of Women’s Health and Men’s Health. Also Empire Magazine has a The Adjustment Bureau feature on it’s March issue. And it seems Men’s Health has 2 different covers (or maybe different country editions?)
If you can scan and send them in, please e-mail me at firstname.lastname@example.org. Thank you.
The Adjustment Bureau costars Matt Damon and Emily Blunt were the lucky ones chosen to be the first-ever cover stars of both Men’s and Women’s Heath, which hit newsstands today. Emily has been doing double duty promoting their collaboration as well as Gnomeo and Juliet, and we had the chance to learn all about her former gnome fears while at the recent junket for the animated picture. Emily and Matt are on the March editions of the Health magazines to chat all about their upcoming film, their close friendship, and how she got into shape to play a ballet dancer. Matt also shared a few choice words about movies he feels are made just based on a star’s power at the box office — projects that he strives to avoid. They said:
* Matt on Emily’s acting abilities: “There are a lot of great actresses her age right now, but Emily is just f—king unbelievable.”
* Emily on having fun with Matt: “I met Matt and he was lovely and very funny, and instantly, I thought, ‘Oh, we could be like teenage boys together. Just be weird and stupid and silly.'”
* Emily on getting in shape to play a ballet dancer: “I looked like an aerobics teacher. My shoulders puffed out, my back looked like there was a barrel of snakes in it and I had an eight-pack!”
* Matt on movies that are just star vehicles: “That’s like watching someone jerk off, really. It’s just absolutely not at all interesting, and not something I want to spend any time doing.”
Matt will be a guest on this Thursday episode of “30 Rock”, he’ll reprise his hole as Carol.
Episode Synopsis: 30 ROCK “Double-Edged Sword” Season 5 Episode 14 – Avery’s going into labor during a getaway with Jack leaves them in peril of their child being Canadian. Meanwhile, Liz’s trip with Carol can’t get off the airport tarmac. Tracy realizes achieving EGOT status comes with a lot of responsibility.
It airs Thursday, February 10 at 8:30pm on NBC.
Here is a still from the show:
As Super Bowl Sunday is basically a national holiday for Americans, what better way to celebrate the event than a low budget comedy spoof. And why not throw Matt Damon in on the bit just for fun.
Resident ESPN jokester Kenny Mayne took a visit to Greenfield, a neighborhood in Pittsburgh, Penn., where Green Bay Packers coach Mike McCarthy grew up. This is quite a coincidence of coursase the Pittsburgh Steelers are playing the Green Bay Packers tonight.
Matt Damon appears in the skit as an over-the-top crank in his role as a high-school rival. Damon of course went to school in Cambridge, Massachusetts, and is much younger than McCarthy.
Anyways its a cute little vid. We suggest checking it out.
Hollywood heavy-hitter Matt Damon has his head on straight, as CARMEL MELOUNEY discovers
MATT Damon is renowned as the consummate Hollywood professional, so it feels a little disconcerting to walk into a hotel room and be ignored by the man crowned Sexiest Man Alive in 2007.
It’s especially awkward because only two people are in the room.
In New York to discuss his new film, Hereafter, Damon is anxiously awaiting news from his wife Luciana, who is about to give birth to her fourth baby and the couple’s third child together.
The Oscar-winning actor met his Argentine wife while she was bartending in Miami in 2003.
Damon’s dedication to his family is evident as he frantically texts on a Blackberry after taking a seat, and apologises for his lack of attention.
“OK, I’m a terrible multi-tasker,” he says as he drops his Blackberry on the floor. While other actors may have appeared rude as they juggled a Blackberry and a waiting journalist, Damon is unfailingly polite about it and clearly uncomfortable with having to do so.
Film: ‘Inside Job’; Director: Charles Ferguson; Voiceover: Matt Damon; Rating: ****
It was literally the greatest heist of all times, the type that erstwhile conquerors of the world would wonder how someone could do it without killing millions in the process. And it is a heist that has largely gone unpunished.
On Sep 15, 2008, Lehman Brothers declared bankruptcy, beginning the collapse of the financial system globally. Many more companies underwent the same fate causing literally millions to lose their life savings and millions more, their jobs. The answer to the question as to who caused it, and how, has largely remained fragmentary… Until now.
‘Inside Job’ gives the much-needed and extensive full picture.
‘Inside Job’ is eerie, and surreal in its reality. Narrated by Matt Damon, it seems like the story of the wild wild west, and how a few greedy cowboys managed to do what was once the purview of marauding conquerors – loot, plunder and ravage through the financial world triggering a kind of collapse the world has not seen since the depression of the 1930s.
That great depression was largely limited to the US. In a globalised world, this one threatened to collapse the entire law and order and democracy of the world, had it not been stemmed.
The film weaves together the story of the collapse by interviewing the key people who warned against this impending doom beforehand and thus suffered for it from a world keen on growth and development, but not the truth. Obviously, the ones most responsible refused to be interviewed. But the recordings at a congressional hearing throw some startling light about the quality of people on whom the fate of the financial system rests.
The film beautifully refuses to be just confined to numbers, as it throws in a psychiatrist and a prostitute, both of whom have ‘serviced’ the wall-street gangs and thus gives a mental evaluation of the men who handle our money, and also what they do with it.
‘The Adjustment Bureau,’ starring Matt Damon as a congressman named David, is a sci-fi romantic drama based on a short story by Philip K. Dick. His co-star Emily Blunt plays a ballerina trying to get closer to David, but a secret organization behind the forces of time and space keep driving them apart.
On Feb. 11, both stars will be in the Moviefone Unscripted studio to answer your questions, as well as ask each other what they’ve been wondering.
Ask Damon how he prepared for playing a congressman, or if he enjoys big-budget action movies more than smaller, indie movies. Ask Blunt what the best part about working with Damon was and whether she did anything special to prepare for playing a ballerina. Ask them whatever you’d like!
Leave your question in the comments below, including your name and location. Then, check back here on Monday, Feb. 28, to see if Damon or Blunt answered your question!
‘The Adjustment Bureau’ premieres on March 4, 2011.